July 12, 2022

Tin Ear

We stood at attention as she moved
with a kind of Groucho shuffle
down our line, her trained music
teacher’s ear passing by
our ten- and eleven-year-old mouths
open to some song now forgotten.
And as she held her momentary
pause in front of me, I peered
from the corner of my eye
to hers, and knew the truth
I had suspected.
In the following days,
as certain of our peers
disappeared at appointed hours
for the Chorus, something in me
was already closing shop.
Indeed, to this day
I still clam up
for the national anthem
in crowded stadiums, draw
disapproving alumni stares
as I smile the length of school songs,
and even hum and clap
through “Happy Birthday,” creating
a diversion—all lest I send
the collective pitch
careening headlong into dissonance.
It’s only in the choice acoustics
of shower and sealed car
that I can finally give voice
to that heart deep within me
that is pure, tonally perfect, music.
But when the water stops running
and the radio’s off, I can remember
that day in class,
when I knew for the first time
that mine would be a world of words
without melody, where refrain
means do not join,
where I’m ready to sing
in a key no one has ever heard.

Peter Schmitt, Country Airport (Copper Beech Press, 1989)

July 08, 2022

Losing My Religion

At the Illinois State Fair, I was given five dollars
and allowed to roam the midway. I didn’t want cotton
candy or a corn dog. I wasn’t old enough for French Follies.

Then I saw a kid carrying a giant panda that
looked like a god other prizes might pray to.
Of course, I lost all my money and didn’t win
a thing. Moping around, though, I saw
the same kid slip between tents, return
the panda to a grizzled carny, and get paid.

I was a sensitive child, the sort of little pantywaist
who might grow up to be a poet, so I burst into tears.
A policeman led me to the Pavilion of Lost Children.
I cried loudest of all and refused the awful cookie.

By the time my parents found me, I was running a fever,
and my father drove home disgusted, getting a speeding
ticket which he blames me for to this very day.

Ron Koertge, Fever (Red Hen Press, 2006)

Higher Love

At the emergency animal clinic, I’m standing

in the bathroom thinking the crying room

big and softly lit, a plant in a corner, the walls

airbrushed in grays and browns. The only place

in the building you can be alone. I remember

meeting a woman one night in this clinic waiting

for her Collie, injury treated, disaster over,

big bill paid. She told me she’d lost count

of how many times she’d been there over the years.

This is the first one I’ve brought home alive.

It’s the 4th of July weekend and hell’s broken loose

out there, the stories I heard in the lobby—bitten

by another dog, hit by a car, ate a box of candy,

foaming at the mouth from some new med.

My own cat 16 years old and stricken down

so suddenly that all he could do was lie

like a fallen tree and watch me through the vents

in the carrier all during the half-hour drive.

The stay is two days, the bill two pages long,

and now I’m standing here in the bathroom thinking

of people crying, though they say I can bring him

home tomorrow, just one more night of fluids

under the futuristic hoses and wires and dark-faced

monitors, his orange body blanketed in a warm balloon

of air while the vet tech types numbers on a pad,

a distant dog shrieking, a sound I can still hear,

that carries through God knows how many walls.

I wash my hands and push through the door

into the lobby and hold it open because a woman

is running toward me, her face swollen as a bee sting,

wet, her shoulders convulsing, a sound drowning

in her mouth. She rushes past, and I don’t dare

look, but I can see everyone—the lobby full, couples

and singles and families, some waiting with a dog

or a cat, some sitting alone with their phones and Cokes

from the machine, maybe fifteen people, every one

looking at her, and—reader, you have to see this—

every one with a face full of love and complete

recognition. No judgment, irony, glad-it’s-not-me,

a whole room of understanding while she pulls

the door shut and latches it to cry for the baby

that I now see—I remember this man from earlier,

how she sat with him in the waiting room when I did—

and in his arms he carries a small body, terrier-size,

wrapped tight in a blue blanket head to foot,

motionless as he bears it through the front door

into the parking lot. I follow him out,

but I can’t see anymore—how gently he lays it

on the back seat, I’m guessing—because I’m

getting in my own car, eyes down, letting him

have his peace alone. To intrude, to help—

it just isn’t done, or I don’t know how, and neither

did anyone back there, though we all know exactly

how high that love goes, most of us with no kids

or ones that are grown, most of us lying in bed at night

with a dog or cat snoring softly in the half-light,

the not quite deep-death night but the still-living kind

that makes us want to stay awake an hour longer,

the air outside alive with tires on the road and those crickets

that only started up a week ago and now sound like

they’ll keep singing that aria forever, even when

we all know sooner or later it will have to end.

 

Amy Miller, Rattle #67 Spring 2020

July 05, 2022

His Elderly Father as a Young Man

This happened before I met your mother:
I took Jennie Johanson to a summer dance,
and she sent me a letter, a love letter,
I guess, even if the word love wasn’t in it.
She wrote that she had a good time
and didn’t want the night to end.
At home, she lay down on her bed
but stayed awake, listening to the songs
of morning birds outside her window.
I read that letter a hundred times
and kept it in a cigar box
with useless things I had saved:
a pocket knife with an imitation pearl handle
and a broken blade,
a harmonica I never learned to play,
one cuff link, an empty rifle shell.

When your mother and I got married,
I threw the letter away—
if I had kept it, she might wonder.
But I wanted to keep it
and even thought about hiding places,
maybe in the barn or the tool shed;
but what if it were ever found?
I knew of no way to explain why
I would keep such letter, much less
why I would take the trouble to hide it.
Jennie had gone to California
not long after that dance.
I pretty much got over
wanting to see her just once more,
but I wish I could have kept the letter,
even though I know it by heart.

Leo Dangel, Home from the Field (Spoon River Poetry Press, 1997)

The Shipfitter's Wife

I loved him most
when he came home from work,
his fingers still curled from fitting pipe,
his denim shirt ringed with sweat,
smelling of salt, the drying weeds
of the ocean. I'd go to where he sat
on the edge of the bed, his forehead
anointed with grease, his cracked hands
jammed between his thighs, and unlace
the steel-toed boots, stroke his ankles
and calves, the pads and bones of his feet.
Then I'd open his clothes and take
the whole day inside me – the ship's
gray sides, the miles of copper pipe,
the voice of the foreman clanging
off the hull's silver ribs. Spark of lead
kissing metal. The clamp, the winch,
the white fire of the torch, the whistle,
and the long drive home.

Dorianne Laux, Smoke (BOA Editions, 2000)

July 01, 2022

Blessing for the Brokenhearted

 There is no remedy for love but to love more.

 Henry David Thoreau


Let us agree
for now
that we will not say
the breaking
makes us stronger
or that it is better
to have this pain
than to have done
without this love.

Let us promise
we will not
tell ourselves
time will heal
the wound,
when every day
our waking
opens it anew.

Perhaps for now
it can be enough
to simply marvel
at the mystery
of how a heart
so broken
can go on beating,
as if it were made
for precisely this—

as if it knows
the only cure for love
is more of it,

as if it sees
the heart’s sole remedy
for breaking
is to love still,

as if it trusts
that its own
persistent pulse
is the rhythm
of a blessing
we cannot
begin to fathom
but will save us
nonetheless

Jan Richardson, paintedprayerbook.com February 10, 2014 

Pruning

           Even now the ax is lying at the root of the trees;
           every tree therefore that does not bear good fruit
           is cut down and thrown into the fire.
                           —Luke 3.9

Abandon your cruel cartoons.
God is not coming at you with an ax.

What's unfruitful in your life?
What gets in the way?
God (hallelujah!) removes it.

What do you do again & again
that doesn't help,
doesn't deepen life?
God (thank you Jesus!) gives you
permission to cut it out.

God is not a punitive bully
looking for firewood.
God is a gentle gardener,
looking for sweet fruit.

Let her lop off the dead branches,
uproot the nasty weeds,
clear the brush,
clean up the garden for you.

Sit by the fire.
Enjoy the warmth of your freedom.

Steve Garnass-Holmes, unfoldinglight.net December 6, 2021