This happened before I met your mother:
I took Jennie Johanson to a summer dance,
and she sent me a letter, a love letter,
I guess, even if the word love wasn't in it.
She wrote that she had a good time
and didn't want the night to end.
At home, she lay down on her bed
but stayed awake, listening to the songs
of morning birds outside her window.
I read that letter a hundred times
and kept it in a cigar box
with useless things I had saved:
a pocket knife with a pearl handle
and a broken blade,
a harmonica that I never learned to play,
one cuff link, an empty rifle shell.
When your mother and I got married,
I threw the letter away --
if I had kept it, she might wonder.
But I wanted to keep it
and even thought about hiding places,
maybe in the barn or the tool shed;
but what if it were ever found?
I knew of no way to explain why
I would keep such a letter, much less
why I would take the trouble to hide it.
Jennie had gone to California
not long after that dance.
I pretty much got over
wanting to see her just once more,
but I wish I could have kept the letter,
even though I know it by heart.
Leo Dangel, Home from the Field (Spoon River Poetry Press, 1997)
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