Which reminds me of another
knock-on-wood
memory. I was cycling with a male friend,
through a small midwestern town. We came to a
4-way
stop and stopped, chatting. As we started
again,
a rusty old pick-up truck, ignoring the stop
sign,
hurricaned past scant inches from our front
wheels.
My partner called, “Hey, that was a 4-way
stop!”
The truck driver, stringy blond hair a long fringe
under his brand-name beer cap, looked back and
yelled,
“You f---- n------!”
And sped off.
My friend and I looked at each other and shook our
heads.
We remounted our bikes and headed out of
town.
We were pedaling through a clear blue
afternoon
between two fields of almost-ripened
wheat
bordered by cornflowers and Queen Anne’s
lace
when we heard an unmuffled motor, a
honk-honking.
We stopped, closed ranks, made fists.
It was the same truck. It pulled over.
A tall, very much in shape young white guy slid
out:
greasy jeans, homemade finger tattoos,
probably
a Marine Corps boot-camp
footlockerful
of martial arts techniques.
“What did you say back there!” he
shouted.
My friend said, “I said it was a 4-way
stop.
You went through it.”
“And what did I say?” the white guy
asked.
“You said: ‘You f------ n------”
The afternoon froze.
“Well,” said the white guy,
shoving his hands into his pockets
and pushing dirt around with the pointed toe of his
boot,
“I just want to say I’m sorry.”
He climbed back into his truck
and drove away.
Marilyn Nelson, The Fields of Praise: New and
Selected Poems (Louisiana State University Press, 1997)
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