Is Death miles away from this house,
reaching for
a widow in Cincinnati
or breathing
down the neck of a lost hiker
in British
Columbia?
Is he too
busy making arrangements,
tampering with
air brakes,
scattering cancer
cells like seeds,
loosening
the wooden beams of roller coasters
to bother
with my hidden cottage
that
visitors find so hard to find?
Or is he
stepping from a black car
parked at
the dark end of the lane,
shaking open
the familiar cloak,
its hood
raised like the head of a crow,
and removing
the scythe from the trunk?
Did you have
any trouble with the directions?
I will ask,
as I start talking my way out of this.
Billy Collins,
The Apple That Astonished Paris (University of Arkansas Press, 2006)
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